Artworks

I am Lars – and this is my art.
Art to wear. Thoughts to hold.

Since the Covid era, I have been creating rings from unusual, highly symbolic materials: steel, ceramic, fossilized teeth, volcanic sand, fabric scraps, wasp shells or skateboard parts.
These rings are not fashion – they are wearable sculptures. Expressions of themes that move me: disease, climate change, memory, identity.

My work is thematic, political, poetic – wearable works of art.

🐎💀 The Four Horsemen of the Apocalypse

Four rings. Four symbols of the inevitable.
Illness, war, famine and death – not made as jewelry, but as a warning.
Wearable sculptures about powerlessness, destruction, and mortality.

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Foto der 4 Ringe die die Jahreszeiten darstellen

🌸 ☀️ 🍂 ❄️ The Four Seasons

Four rings – four seasons.
This series combines natural materials such as wood, grain and pigments into wearable miniatures of the yearly cycle.
Inspired by Vivaldi and the shifting elements, they speak of change, of colour, and of time itself.

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🎙️ 🛠️ 🌈 Protest & Identity

Rings as political commentaries, embodied memories, and personal statements:
from John Lennon’s shattered dream to colorful inclusion.
Materials with history – Fordite, silver, acrylic – merge with themes that resonate beyond the piece.

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Ring Neighborly Disaster, gefertigt aus einem alten Gewehrkolben in den Farben der Ukraine. Die Rückseite zeigt Zerstörung und wurde mit rotem Harz (als Symbol für Blut) und schwarzem Harz (als Symbol für Öl) repariert – ein Werk zwischen Erinnerung, Gewalt und Widerstand.

Neighborly Disaster ring, crafted from an old rifle stock in the colors of Ukraine. The back bears traces of destruction, repaired with red resin (symbolizing blood) and black resin (symbolizing oil) – a piece balancing mem

💥✨🩸 War, Light and Resistance

A ring about destruction, symbolism, and geopolitical pain.
Neighborly Disaster – Blood and Oil bears the colors of Ukraine, broken, repaired with blood and oil.
It cries out against war, futility, and greed. What is? What remains?

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